My first trip to Zanzibar, Tanzania was in 1993. After months traveling overland through East Africa and I only intended to stay a few days, instead I got stuck waiting an additional six weeks for my visa to India. Meandering through the maze of streets of Stone Town, locals sitting in front of their homes began engaging me in conversation: “You have walked by me for several days now, sit down and tell me why you are here?” A mutual curiosity was sparked that lead in daily visits. By the end of my time a wonderful familiarity had grown. It was not my home, but somehow I felt like I belonged.
Zanzibar Memoir was created using an old 1930’s Crown Graphic 4x5 camera and Polaroid Type 55 black and white film. I started the project in the pre-digital era, and I chose that camera and film because the photograph (a positive and negative) is developed within 2 minutes, this allows us to work collaboratively.
Today my Zanzibari friends ask why I’m not using an iPhone because it would be so much easier. But I continue to rely on my 90-year-old camera because the meticulous process gives the photo-shoot time to become an in-depth experience together. When possible the photo-shoots are combined with a recorded interview as a way to collect the story of each individual and add to the larger community memoir.
This is a life-long project. With each return I re-photograph many of my same friends and community members and welcome new participants. I have witnessed children becoming adults, young people leaving the island in search of a better future, families growing and friends passing away. These photographs are the intricate thresholds where cultural difference, friendship, and our shared humanity converge. Please scroll to the right -------->>>